Well it’s been awhile hasn’t it? I’d like to say I have an excuse — like taking 18 hours of intensive writing courses and doing publicity for more than one artist — but really those don’t hold up in court because I’ve been out of school for over a month. Honestly, it’s been so long that when I logged onto WordPress I was surprised to see that my blog was still getting steady views.
The truth is, I work a shit ton and I’m just tired and these posts take time. But I’m back, and I’m here to stay (but you’ve heard that before, haven’t you?).
millionth debut, I bring you yet another from The Bottlemen.
Album: The Ride
Artist: Catfish and the Bottlemen
Since all of you have been longtime readers, you know that I’ve written about CATB before, sometime in early 2015. They had released their album only a few months prior at that point and were touring the States for what I believe was the first time.
My how times have changed.
Now they’re back in the States and they’re bigger and better than they were last time, but I’m getting ahead of myself. This isn’t a live review. This is an album review.
Catfish and the Bottlemen released their sophomore album, The Ride, just last month on May 27, this time with Capitol Records. It’s another short album — only about 40 minutes long — and it managed to peak at number 1 on the Official U.K. Albums Chart. Here in the states, it peaked at 28 on the Billboard 200, which is about a hundred places higher than their debut.
All in all, I’m not totally sure what I was expecting from CATB the second time around, but somehow I think they managed to both deliver and disappoint at the same time. I’m not saying it’s a bad album, but things have certainly changed.
I feel like this is a good point to mention that Dave Sardy produced The Ride. This small tidbit of information honestly confused me a little. Sardy has worked with everyone — including The Bottlemen’s heroes, Oasis — but this particular piece of production was actually quite disappointing.
Catfish, for their part, delivered quite well I think. Lyrically, The Ride doesn’t quite stand up to The Balcony, but gems like “7” hit you with classic Van McCann lines like “I don’t think through things, I never get time cause I don’t think things through.”
The best songs on the album can hold up to the CATB we’ve grown to know and love, but the rest seems like filler. Musically, every song manages to catch the audience’s attention, especially with the soaring riffs found in “Twice” and “Postpone,” and softer, acoustic tracks like “Glasgow” and “Heathrow” keep the album from sounding like more of the same.
But what about that production element I spoke of earlier? Well. Let me tell you.
The production was honestly what upset me most about the album. It just wansn’t up to par. Catfish’s sound hasn’t changed for the worse, but The Ride comes across as too clean cut. It lacks a rougher element that The Balcony brought to the table. Musically, they’ve leaned towards The Strokes but cleaned up their sound like they’re trying to hide something. It’s an odd combination, to say the least.
In short, it’s an album that was meant to be performed live, and Van McCann will tell you that himself. The Ride’s tendency for live performance only becomes more evident when you hear it in person. In fact, I didn’t decide that I liked the album officially until after I saw them in St. Louis Tuesday night. The way The Bottlemen play together only reinforces how good the material actually is, and boy can they put on a show. It was even better than the last time I saw them.
In short, The Ride is a pretty good listen — if you’re willing to listen with an open mind. It’s not The Balcony, but then again, I’d be disappointed if it was.
Honorable Mentions: 7, Twice, Emily, Red, Heathrow